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His soundtrack for ActRaiser (1990), on the other hand, was mainly classical and orchestral. His first freelance work for Sega was the soundtrack to The Revenge of Shinobi (1989), for which he produced house and ' progressive, catchy, techno-style compositions' that fused electronic dance music with traditional Japanese music.

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His most notable freelance work was for Sega, where he composed music for the Shinobi series and the Streets of Rage series, as well as Quintet, where he composed the soundtracks to ActRaiser (1990) and ActRaiser 2 (1993). The latter two soundtracks featured early Eurobeat music. His early freelance projects included the Sharp X68000 port of Bosconian, Bothtec's action role-playing game The Scheme (1988) for the PC-8801, and Enix's visual novel adventure game Misty Blue for the PC-9801 in 1990. Early freelance work (1988–1990) įollowing his separation with Falcom, Koshiro became a freelancer, composing music for many other companies. His soundtracks for early Nihon Falcom games, such as the Dragon Slayer and Ys series, are widely regarded as some of the most influential role-playing video game scores. Despite later advances in audio technology, Koshiro would continue to use older PC-8801 hardware to produce many of his later video game soundtracks, including the Streets of Rage and Etrian Odyssey soundtracks. Īll of these early soundtracks were produced using the FM synthesis sound chip of the PC-8801. Music from the Ys games were also employed in the Ys anime. The TurboGrafx-CD versions of the first three Ys games (from 1989 to 1991) are notable for their very early use of Red Book audio in video games. These early music productions mainly featured rock and fusion music. His most well-known Falcom works are his soundtracks for Sorcerian (1987) and the early Ys games, Ys I (1987) and Ys II (1988). He then produced the soundtrack to Dragon Slayer IV / Legacy of the Wizard (1987), which was influenced by the sounds of early Konami games. His compositions for these early games were influenced by arcade game music and Japanese bands such as The Alfee. He also wrote the opening song in Romancia that same year. Falcom used compositions from the PC-8801 demo tape he had sent them in their Dragon Slayer action role-playing game Xanadu Scenario II, for its opening theme and several dungeon levels. Koshiro's first composing job was with Nihon Falcom in 1986 at the age of 18. In a 1992 interview, Koshiro said that his favorite music genres are new wave, dance music, technopop, classical, and hard rock, and that his favorite Western bands are Van Halen and Soul II Soul.

The video game music soundtracks to these games inspired him to become a video game composer. The video games that influenced him most were The Tower of Druaga (1984), Space Harrier (1985), and Gradius (1985).

The sequencing skills and experience he gained from this would later be utilized in his early video game projects. While he was still in high school during the early 1980s, Koshiro began composing music on the NEC PC-8801 as a hobby, including mockups of early arcade game music from Namco, Konami, and Sega. Everything Koshiro has learned after that has since been self-taught. In 1975, he began taking music lessons from the acclaimed film composer Joe Hisaishi (later known for his soundtracks to Hayao Miyazaki films), and studied with him for three years.

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She taught him how to play the piano at the age of three, and by the age of five, he had a strong command of it. Yuzo Koshiro was born in Tokyo on December 12, 1967.